Thinking in Colour
Marketers develop brands as complex
analytical propositions, yet consumers
tend to digest them in a more direct,
sensory mode. Charles Wrench describes
how visual positioning techniques can
be used to foster brand integration.
Let’s start with a simple
question: what do we
mean by ‘brand
integration’? Well I don’t
mean achieving a consistent
use of a logo or an end line.
achieving a consistent
use of a logo or an end line.
And I don’t mean strongarming
half a dozen agencies
to work together. While these
are all worthwhile, of course,
the definition I have in mind
doesn’t concern itself with
client or agency inputs.
My definition of brand
integration starts with the
customer’s takeout. For me,
‘integration’ is when your
customers have a coherent
experience of your brand
promise whenever and
wherever they come across
your brand. Why is this an
important distinction? It’s
important because is suggests
a slightly different approach
to the process of integration.
As marketers we tend to
be very left brain in our brand
construction: we analyse,
define, segment, brief,
measure. We see our brands
as complex constructs. We
add definition all the time.
But our customers tend to
be more right brain in their
brand consumption: they are
less complicated, more
visceral and visual about
brands. What’s more, the right
brain is where we experience
our strongest emotions; love,
hate, passion, etc.
For customers, the brands
that rise to the surface
amongst the thousands that
seek their attention every day
are the ones that are most
clear, most striking, most
powerful: not the ones that
are most complex.
This suggests two things
to me:
First, that you do not
serve the cause of brand
integration well by endlessly
adding layers of definition to
your brand: the capacity to
integrate is better served by
simplifying your brand’s
special difference, than by
adding to it.
Ideas that can be captured
in just a few words can be
more easily expressed and
more easily understood.
Secondly, that we need to
be more right-brain orientated
in the way we define our
brands.
Visual positioning
One way of doing this is
to define them visually as
well as verbally. When you
think about it, many of the
ways we seek to influence
customers’ perceptions are
visual: many of the people
who communicate your brand
are visually oriented; the
most potent media are
substantially visual.
And yet we typically define
brands almost entirely verbally.
I would like to suggest a
simple way of at least partially
bridging this right brain/left
brain gap.
By conducting a simple
exercise that we call Visual
Positioning.
This is a process of
defining a brand visually
across a number of different
subject matters: for instance
as a colour, a style of type,
as an animal, or as a
piece of furniture. You
remember that old marketing
ploy: “If this brand were
an animal, then what
animal would it be?” Well
this is no more complicated
than that.
What makes this exercise
valuable is doing it not just
for your brand, but also for
your competitors’ – and not
just for your brand today, but
how you see it developing in
the future.
What makes it really
valuable, especially in terms of
achieving Brand Integration, is
when you conduct this
exercise as a team, ie, when
you get all your agencies
together and do it as one.
When you do it together,
Visual Positioning is not just
a mental mapping exercise,
it is also a valuable medium
for bringing all your team
and partners to a common
understanding of your brand.
A Visual Positioning we
developed for BP, Britain’s
largest and most profitable
company, shows how even
a brand of this global scale
might be meaningfully
expressed on a single page.
Let me describe it.
We have a brief statement
of BP’s relevant differentiation,
or what you might call their
special difference. This is the
brand captured in 100 words
or less.
Then BP has reduced this
further to a single, simple,
audacious thought: Beyond
Petroleum.
This idea immediately
sums up their intent to
confront the traditional
paradigm of fuel as a dull and
damaging product and sets
the company’s vision as one of
getting beyond this paradigm.
This intellectual definition
has then been supported and
further defined through the
Visual Positioning – which
provides something of a right
brain picture of the
personality of this future BP.
Finally, at the bottom in
yellow text, there is one further
element – BP’s brand values.
Charles Wrench
Landor Associates, London
Making Brand Integration Happen
This article originally appeared in volume 10 of WPP's Atticus Journal.